“...the show has its enchantments. These are largely the gifts of helmer-choreographer-magician Stroman, who brings genuine wit to her technically ingenious stagecraft… Resisting the usual Broadway tendency toward over-production, this show is perfectly scaled to the modest level of Edward’s boyish daydreams. Invention, not excess, seems to be the dominant house rule, from the tight choreography, which is quick and clever and never over the top, to the primary-color projections by Benjamin Pearcy that make a comic-book universe of Julian Crouch’s sets.”